colm tóibín house of names

Thank you for signing up, fellow book lover! Amazon配送商品ならHouse of Namesが通常配送無料。更にAmazonならポイント還元本が多数。Tóibín, Colm作品ほか、お急ぎ便対象商品は当日お届けも可能。 While it’s considered quite natural in this society for leaders to have late-night rendezvous with guards, these affairs are never carried out in domestic partnerships. The characters are so real and their experiences can be felt so well. Three years later, he returns home and finds his murderous action has set the entire family -- mother, brother, sister -- on a path of intimate violence, as they enter a world of hushed commands and soundless journeys through the palace's dungeons and bedchambers. . As readers of “Brooklyn” and “Nora Webster” can attest, Tóibín has done this before. Right from the start, Toibin's prose which in the past I've found delicate and precise, feels here loose and horribly self-conscious. The most poignant aspect of “House of Names” is tied to its title. The way in which Tóibín portrays this is unsettling and strange and much more subtle than the raucous and magnificently-rendered graveyard found in Saunders’ recent “Lincoln in the Bardo.” But while Tóibín’s characters are still alive they frequently emphasize and assert their names as if everything about their being is tied up in these monikers. ‘What you did is all you have.”, Mythology: Timeless Tales of Gods and Heroes, 13 Mythological Retellings for Fresh Takes on Familiar Stories. Who would want to say such an artistic appropriation, especially one done so well, is off limits? ", "Clytemnsestra, narrating in the first person, is a captivating and terrifying figure, heartbroken and ruthless in her lust for power... Tóibín captures the way that corruption breeds resentment and how resentment almost unstoppably breeds violence. I tried my first high-end cast iron skillet and fell in love, Amazon's In-Garage Grocery Delivery is available in San Francisco, This 'Among Us' face mask seems kinda sus, The best Instant Pot deals available for Black Friday. He is a regular contributor to the Dublin Review, the New York Review of Books and the London Review of Books. Out of his experience in Barcelona be produced two books, the novel ‘The South’ (shortlisted for the Whitbread First Novel Award and winner of the Irish Times/ Aer Lingus First Fiction Award) and ‘Homage to Barcelona’, both published in 1990. House of Names is as far from Brooklyn which is as far from The Master as you can imagine. Barnes and Noble / Colm Tóibín. The sickly, sugary smell that wafts in the wind towards the rooms in this palace' - "sugary"? To quote one of Tóibín’s heroes, Henry James, “House of Names” displays “complete pictorial fusion.” To quote a character from “House of Names” itself, the prose is “precise ... cut[ting] through the things that happened like a dagger whose blade has been whetted for use.”. Colm Toibin is a brilliant writer with great range. ", "Tóibín's retelling is governed by compassion and responsibility, and focuses on the horrors that led Clytemnestra to her terrible vengeance. New York Times / News / Colm Tóibín A typical Tóibín character — observant, an expert in concealment — has been transported into Greek tragedy to thrilling effect. The characters are largely unidimensional, and the stark emotion of the origin stories muted somehow. House of Names - Colm Toibin - 洋書の購入は楽天ブックスで。全品送料無料!購入毎に「楽天ポイント」が貯まってお得!みんなのレビュー・感想も満載。 In ancient Mycenae? Moving between their points of view he shows how their downfall is fuelled by their various ambitions and craven need for revenge. "They cut her hair before they dragged her to the place of sacrifice. The mother here is the despised and cursed Clytemnestra, whose damning historical reputation he counters by making her more human and understandable. “Colm Tóibín's House of Names is full of betrayal and deception, rage and retaliation. Her sympathetic first-person narrative makes even murder, for a moment, seem reasonable (...) Tóibín's prose is precise and unadorned, the novel's moments of violence told with brutal simplicity. I recently had a conversation with a GR friend about which books are harder to review. While some tales are old as time, every so often a writer comes along with a fresh take that can make us see a familiar story in a completely... On the day of his daughter's wedding, Agamemnon orders her sacrifice. The gods have gone from the original texts, though Electra insists that they continue to brush past us with their wings, and in their place has come, according to Clytemnestra, 'the mild sound of the wind in the trees, a distant, unpersistent rustling sound.' So I can in no way pretend to be an expert nor even make any educated thoughts on its comparisons to the original. The retelling departs from the original where the characters actions are directed as the gods will and instead result more from natural human emotions and misjudgment. Colm Tóibín is one of Ireland’s most beloved writers. I have to admit that I don't immediately know what Toibin aimed at with this book. He left Magill in 1985 and travelled in Africa and South America. ", "A Greek House of Cards... Just like Heaney at the end of his Mycenae lookout, Toibin's novel augurs an era of renewal that comes directly from the cessation of hostilities. ", "Colm Tóibín turns Greek Myths into flesh and blood..The writing is characteristically elegant, spare and subtle. Nonetheless, they heard her muffled screams.". This is a story that dwells on the themes of betrayal, loss, grief, corruption, power, failure, loneliness and repression. Video here, pairing this with The Oresteia: This house used to be full of names…. The original myths established these characters as the gods' playthings, but Tóibín reframes this version in a 'time when the gods are fading' the besster to lay the blame for our human failures plainly on ourselves. THE TOP 10 SUNDAY TIMES BESTSELLER'They cut her hair before they dragged her to the place of sacrifice. He is currently Leonard Milberg Lecturer in Irish Letters at Princeton University. See full terms and conditions and this month's choices. ", "A haunting story, largely because Tóibín tells it in spare, resonant prose...", "In a novel describing one of the Western world's oldest legends, in which the gods are conspicuous by their absence, Tóibín achieves a paradoxical richness of characterisation and a humanisation of the mythological, marking House Of Names as the superbly realised work of an author at the top of his game. By clicking 'Sign me up' I acknowledge that I have read and agree to the privacy policy and terms of use. It's an ancient Greek story of palace intrigue, but it feels as fresh as newly spilled blood.” —Houston Chronicle Colm Toibin was born in Enniscorthy, Co. Wexford in 1955. It has been forever and a day, back to my school days, since I have read anything concerning mythology, the gods and the ancient Greeks. Don't want it to be finished . In his note about how he came to write House of Names, Tóibín says that “even though House of Names is animated by murder and mayhem and the struggle for power, it is still a story about a single family . In 2006 he was appointed to the Arts Council in Ireland. They allow love to matter since love can do no harm to the dead.” Tóibín intensely portrays their struggle between being servants to the will of the gods and exerting their own willpower in changing the course of fate. But as a reader, it can be a bit sticky going to wade into this world of retellings, especially if one is a lover of the source material. Part of Toibin’s success comes down to the power of his writing: an almost unfaultable combination of artful restraint and wonderfully observed detail…. In House of Names, Colm Tóibín brings a modern sensibility and language to an ancient classic, and gives this extraordinary character new life, so that we not only believe Clytemnestra’s thirst for revenge, but applaud it. We are also struck by the emotional distance he gives his characters, one from the other, except in rare instances – a family dynamic bred of damage… riveting and relevant and a fine addition to the growing canon of works by Colm Tóibín.”, “The misadventures of Agamemnon and his family were repeatedly retold in Greek mythology…In his new novel, House of Names, Colm Toibin explores part of this story, from the murder of Iphigenia to the murder of Clytemnestra, making it strike a new chord, far more impressive than the pious respect or worthy aura of ‘classicism’ that often surrounds it. House of Names, Colm Tóibín’s ninth novel, is ostensibly a retelling of The Oresteia through the voices of its principal characters – Clytemnestra and her children, Orestes and Electra. Tell us what you like and we'll recommend books you'll love. However, in recent years, he’s changed his tactic by harkening back to classic tales to expand our understanding of these old stories and imbue them with a modern sensibility. Amazon.com His prose is always a pleasure to read, and its deceptive simplicity works especially well here as a stark contrast to the terrible acts of violence he is describing. Let us know what’s wrong with this preview of, Published Like Madeline Miller’s beautiful novel “The Song of Achilles”, the character of Orestes allows Tóibín to highlight this character’s homosexuality (which is suggested in some versions of this myth, but which Tóibín makes overt). But that didn't happen. Because, despite the obvious craft, “House of Names” drains the original tragedy of much that makes it so strangely powerful. full terms and conditions and this month's choices, 12 Immersive Reads About Families: the Good, the Complicated, and the Crazy, 7 Historical Novels That Bring Ancient Worlds to Life, 8 Books for Grownups Who Love Fairytales and Folklore, Revitalizing the Classics: 8 Literary Retellings You’ll Love. It is difficult to find my words when there is not much to say. Email: books@sfchronicle.com. The selfish side of human nature is... made tangible and graphic in Tóibín's lush prose. It reveals the horrors but doesn’t sensationalize them — which makes them even more horrific, as he meticulously reproduces the inexorable and inevitabilities of Greek tragedy. The lowest-priced brand-new, unused, unopened, undamaged item in its original He has received honorary doctorates from the University of Ulster and from University College Dublin. Illustration by Paul Rogers Three centuries later, Clytemnestra took center stage—literally. So let’s instead acknowledge Tóibín’s brilliant version of this story — and then go back to the weird brilliance of the original. Amidst all the devastation and bloodshed in this society, people’s existence doesn’t end neatly with their deaths. I could feel the tension in Clytemnestra’s story and the writing was exquisite. Orestes hears whispers of intrigue both political (revolts in the countryside) and sexual (Aegisthus seems to sleep with almost every palace guard we meet). Honey, for sure, but sugar? Clytemnestra is a thoroughly modern woman, no longer “believ[ing] at all in the power of the gods,” instead declaring her radical autonomy: “I would be the one to decide what to do, not the gods.” When Agamemnon arrives, Clytemnestra plays the welcoming wife, prepares his bath, and gets her revenge. Human agency and the power of the individual will seize control: the corpses pile up, dogs savage strangers and palaces are 'full of lingering echoes and whispering'. Be the first to ask a question about House of Names. He studied at University College Dublin and lived in Barcelona between 1975 and 1978. It is Orestes’s story, too: his capture by the forces of his mother’s lover Aegisthus, his escape and his exile. It’s strange for story about a chain of revenge killings to feel passive, but this retelling of a Greek myth never felt as gritty as I wanted.

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