john byrne artist

John Byrne was born in Walsall, England, on July 6, 1950. An Interview with John Byrne. The version with text can be seen in the carousel gallery at the end of this post. In 1985 he wrote and drew for five issues of the ‘Incredible Hulk’. Get involved with the news in your community, This website and associated newspapers adhere to the Independent Press Standards Organisation's Editors' Code of Practice. Byrne penciled the first issue, which was inked by Jim Aparo after being intended for Terry Austin. Jamie: It will feature the original X-men in new stories during the re-print era correct? In early 1974 he started his comic-book career with a Marvel Comics promotional publication ‘Fan Art Gallery’. 7 Byrne continues to write and exhibit regularly. John Byrne: The plan is to present it as a normal, ongoing monthly series. Update! Anything that could be said about him has already been spoken. If you have a complaint about the editorial content which relates to inaccuracy or intrusion, then please contact the editor here. The ‘Golden Age’ brought back by the series ‘The Fantastic Four’ is supposed to be John Byrne’s greatest achievement. Evans, Eric. Byrne started a new series, Namor, the Sub-Mariner in April 1990. In the Superman mythos, Byrne wrote Clark Kent as having a more aggressive and extroverted personality than previously depicted, even making him a top high-school football player. In 1985, after issue #28 of Alpha Flight, Byrne swapped series with Bill Mantlo, writer of The Incredible Hulk. John Byrne: At present I am still in the process of doing the background research necessary to determine who was available, not only in terms of familiar X-Men villains, but characters and villains from other Marvel books of the period. [32], Byrne's post-X-Men body of work at Marvel includes his five-year run on Fantastic Four (#232–295, July 1981 – October 1986), which is generally considered a "second golden age" for the title. From shop PossibleDreamCompany. ", "How did JB get his first job at Marvel? "[7] Byrne's other Dark Horse titles were Babe, and Danger Unlimited, an all-age readers book about a team of heroes in the future fighting an alien occupation of Earth. Concurrent with those projects, John had taken over the art chores on X-Men. Byrne explained the title's cancellation by saying, "I was officially informed yesterday that, despite the fact that they are still profitable, several 'redundant' X-Titles are being axed." John Byrne was born into a family of Irish Catholic descent in Paisley, Renfrewshire, where he grew up in the Ferguslie Park housing scheme and was educated at the town’s St Mirin’s Academy before attending Glasgow School of Art (1958–63). Thus, the best thing we can think of to make Spider-Man “different and exciting” is to press “REWIND”, but to do so in a fashion that will seem a logical outgrowth of all that has gone before, and not simply a massive erasure. Jamie: Do you have any desire to become an editor in the future? Byrne also used Marv Wolfman's idea of making Lex Luthor a wealthy business owner in addition to a scientific genius with a deadly vendetta against the superhero. Jamie: What will you do with Amazing Spider-Man that is different and exciting? The same year he became the co-writer and penciled ‘The Further Adventures of Indiana Jones’. John Byrne: Possibly. That’s far enough away that, concerned as we are with wrapping up the storylines in the current books, we have not yet given much thought to the specifics of our first stories. From 1999 to 2001, Byrne returned to the X-Men to write and draw X-Men: The Hidden Years[65] which ran for 22 issues. ", DeFalco "1980s" in Gilbert (2008), p. 227: "Dr. Bruce Banner first met Betty Ross in, Manning, "1980s", in Dolan, p. 221. 1974). His writing and drawing career in the world of comic books spans almost four decades and is still going strong. Pingback: 2nd John Byrne Interview – Jamie Coville, Your email address will not be published. 5 Byrne's work is held in major collections in Scotland and abroad, with several of his paintings hanging in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. Byrne went to bat for ol' Wolvie, suggesting the specific angles which made the Canadian mutant--Byrne was raised in Canada, by the way--into a superstar. Something else should be noted at this point. Furthering the rift between the company and the artist was the fact that the version of Superman which DC licensed for merchandising was contrary to Byrne's representation in the comic books.[7]. In 1989, Byrne wrote Batman #433–435 (May–July 1989)[58] and in the following year produced a 3-D graphic novel with 3-D effects by Ray Zone. 1987).[80]. In early 2003, Byrne spent ten weeks as guest penciler on the syndicated newspaper strip Funky Winkerbean. For most fans, his most notable works include his run on the Uncanny X-Men with Chris Claremont and Terry Austin, his amazing run on the Fantastic Four and his relaunch of Superman in 1986. Will it be done “Untold Tales of Spider-Man” style, or like a normal comic? In 1987, the New Universe line saw a revamp under new Editor-in-Chief Tom DeFalco, and Byrne took over writing and art-breakdowns on the line's flagship title, Star Brand (renamed The Star Brand during Byrne's term on the book). John Patrick Byrne (b.1940), Artist, Dramatist and Stage Designer, Self Portrait in a Flowered Jacket 1971–1973. He worked on the ‘Jurassic Park’ in 2011, revived ‘Next Men’ series during 2010 and 2011. They only lived together for a short time as the young Dwyer soon moved to Los Angeles to live with his father.

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