We’re also working with these organizations to better understand the industry and discuss training and mentoring initiatives for the next generation.  The NFB is a pioneer in interactive web documentaries, helping to position Canada as a major player in digital storytelling, according to transmedia creator Anita Ondine Smith, as well as Shari Frilot, programmer for Sundance Film Festival's New Frontier program for digital media. Documentary Production in the Era of COVID-19. As of October 2009, the Atlantic Centre also operates an office in St. John's, Newfoundland and Labrador. At the NFB, we’ve given ourselves until 2019 to achieve—and sustain—full gender parity in the number of films directed by women (and the resources allocated to their projects) and until 2020 to achieve parity in key creative positions for animated, documentary and interactive works. Over two hundred such films were produced, including 27 films about Fogo Island, Newfoundland, directed by Colin Low and early NFB efforts in Indigenous filmmaking, such as Willie Dunn's The Battle of Crowfoot (1968). , As of 2015, the NFB is organized along the following branches:. The service would be available internationally and would feature documentaries from around the world as well as the NFB’s own catalogue. Commentary 75. , In November 2006, the National Film Board of Canada and the Inuit Broadcasting Corporation announced the start of the Nunavut Animation Lab, offering animation training to Nunavut artists. , When McLaren joined the NFB, his first film at the film board was the drawn-on-film short, Mail Early. Since our founding in 1939, the NFB has created over 13,000 productions and won over 5,000 awards, including 18 Canadian Screen Awards, 12 Oscars, 17 Webbys and more than 90 Genies. At the NFB we believe in transparency. , NFB documentarians played a key role in the development of the IMAX film format, following the NFB multi-screen experience In the Labyrinth, created for Expo 67 in Montreal. As of March 2013, the NFB devotes one quarter of its production budget to interactive media, including web documentaries. , In January 2009, the NFB launched its online Screening Room, NFB.ca, offering Canadian and international web users the ability to stream hundreds of NFB films for free as well as embed links in blogs and social sites. Caroline Leaf used this technique on films such as The Metamorphosis Of Mr. Samsa and The Owl Who Married A Goose. , The Indian Film Crew was an early effort in First Nations filmmaking at the NFB, through its Challenge for Change program (established in 1964 on the initiative of George Stoney, the executive producer of Challenge for Change), and was jointly sponsored by the Company of Young Canadians and the Department of Indian Affairs. This unique selection of documentaries, interactive productions, animation and more captures over 75 years of Canadian history. English-language production occurs at centres in Toronto (Ontario Centre), Vancouver (Pacific & Yukon Centre, located in the Woodward's Building), Edmonton (North West Centre), Winnipeg (Prairie Centre), and Halifax (Atlantic Centre). In total, the NFB has produced over 3,000 productions since its inception, which have won over 5,000 awards. The Unknown Photographer won the People's Voice award in the Online Film & Video/VR: Gaming, Interactive or Real-Time category, while Universe Within received the Webby for Online Film & Video/Best Use of Interactive Video, and Cardboard Crash VR for Google Cardboard won in the category of Online Film & Video/VR: Gaming, Interactive or Real-time (Branded).. Click here to track the results of the NFB’s parity commitment. The six-storey John Grierson Building at its Montreal headquarters has been unused for several years – with HQ staff now based solely in its adjacent Norman McLaren Building. We are committed to publishing year-by-year results. The organization has a hierarchical structure headed by a Board of Trustees, which is chaired by the Government Film Commissioner and NFB Chairperson. NFB creators continue to break new ground in both form and content, in documentary and animated films, pioneering interactive works, including virtual reality projects and mobile content, and immersive, participatory experiences. The animation department eventually gained distinction, particularly with the pioneering work of McLaren, an internationally recognized experimental filmmaker. Shortest walk from Union Station possible.  Films from the Nunavut Animation Lab include Alethea Arnaquq-Baril's 2010 digital animation short Lumaajuuq, winner of the Best Aboriginal Award at the Golden Sheaf Awards and named Best Canadian Short Drama at the imagineNATIVE Film + Media Arts Festival. The Canadian Film Development Corporation would become responsible for promoting the development of the film industry. We see it instead as an important and attainable goal.  In 2015, the NFB-co-produced webdoc Seven Digital Deadly Sins received three People's Voice Awards, chosen by the public online, at the 2015 Webby Awards. The National Film Board of Canada (NFB; French: Office national du film du Canada (ONF)) is Canada's public film and digital media producer and distributor. , The division's work is the subject of a 2013 book by Carleton University art professor Carol Payne entitled The Official Picture: The National Film Board of Canada’s Still Photography Division and the Image of Canada, 1941-1971, published by the McGill-Queen's University Press.  In August 2011, the NFB received an outstanding technical achievement in digital media award from the Academy of Canadian Cinema & Television. , A collaboration with the Canadian Film Centre on a theatrical documentary development program. It also includes experimental films, Web documentaries, interactive productions, and auteur animation created with an endless variety of animation techniques (some developed entirely or partly at the NFB), as well as short- and feature-length dramas made for television or theatrical release. Influenced by the work of Henri Cartier-Bresson, the NFB's Studio B production unit experimented with cinema verite in its 1958 Candid Eye series. The NFB in Pop Culture", Minister of Sport and Persons with Disabilities, Canadian Radio-Television and Telecommunications Commission, Canadian Museum of Immigration at Pier 21, Society of Motion Picture and Television Engineers, https://en.wikipedia.org/w/index.php?title=National_Film_Board_of_Canada&oldid=986609589, Organizations awarded an Academy Honorary Award, Canadian federal departments and agencies, Producers of Best Documentary Short Subject Academy Award winners, Articles with dead external links from August 2018, Articles with permanently dead external links, Articles with dead external links from May 2017, Articles with dead external links from September 2010, Articles with dead external links from September 2016, Articles with dead external links from April 2017, Articles with dead external links from November 2018, Articles with dead external links from February 2018, Articles with unsourced statements from January 2018, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Film and interactive media producer and distributor, 1939: The government of Canada proposes the creation of a National Film Commission to complement the activities of the. The vignettes became popular because of their cultural depiction of Canada, and because they represented its changing state, such as the vignette Faces which was made to represent the increasing cultural and ethnic diversity of Canada. Interested in making a project with the NFB? How much does National Film Board of Canada pay their employees?